Best Microfiction 2024

Meg Pokrass, Gary Fincke, and Grant Faulkner, editors


WINNER of the Bronze Medal for a book series in the 2021 Independent Publisher Book Awards


The Best Microfiction anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass, and Flannery O’Connor Prize-winning author Gary Fincke, the anthology features Grant Faulkner serving as final judge, and eighty-four of the world's best very short short stories.


Meg Pokrass, series editor, is the author of 7 flash fiction collections, an award-winning collection of prose poetry, 2 flash-novellas and 2 new co-written collections of flash, The House of Grana Padano, co-written with Jeff Friedman (Pelekinesis, 2022) and Disappearing Debutantes, co-written with Aimee Parkison (Outpost 19, 2023). Her work has appeared in hundreds of literary magazines and international anthologies including Electric Literature, Wigleaf, Washington Square Review, American Journal of Poetry, McSweeney's has appeared in 2 Norton anthologies of the flash fiction form: New Micro (W.W. Norton & Co., 2018), Flash Fiction International (W.W. Norton & Co., 2015). Meg is the Founding Editor of New Flash Fiction Review, Flash Challenge Columnist for Mslexia Magazine, and teaches private microfiction workshops.
Gary Fincke, editor, has published thirty-one books of poetry, short fiction, and nonfiction, most recently, Bringing Back the Bones: New and Selected Poems, A Room of Rain: Stories, and The Killer’s Dog: Stories.
Grant Faulkner is the Executive Director of National Novel Writing Month (NaNoWriMo) and the co-founder of 100 Word Story.
He recently published The Art of Brevity: Crafting the Very Short Story. He's also published Fissures, a collection of 100-word stories; All the Comfort Sin Can Provide; Nothing Short Of: Selected Tales from 100 Word Story; and Pep Talks for Writers: 52 Insights and Actions to Boost Your Creative Mojo.
His stories have appeared in dozens of literary magazines, including Tin House, The Southwest Review, and The Gettysburg Review, and he has been anthologized in collections such as Norton’s New Micro: Exceptionally Short Fiction, Flash Fiction America, Best Small Fictions, and Best Microfiction. His essays on creativity have been published in The New York Times, Poets & Writers, Literary Hub, Writer’s Digest, and The Writer.